Night
Thoughts of a Mottled Songbird
by
Kenny A. Chaffin
All
Rights Reserved © 2017 Kenny A. Chaffin
Dark
as the inside of a dog’s stomach
and
brain going a hundred miles an hour
Why
can I never sleep no wonder
my
songs suffer. I keep slipping off this
branch,
that don’t help and I can’t help
thinking
that maybe this is all just a dream
Maybe
nothing is real, Maybe some kind of trick
Maybe
everything I think, everything I see, every song
I
hear or think I hear is really just in my own head.
Maybe
nothing is real…
Maybe
I’m a brain in a vat
or
a computer program
or
just a fragment
of
underdone potato
but,
but, but, but, I am
therefore
I think.
I
think of seeds,
will
there be seeds tomorrow
will
the sun rise as it always does
will
there be rain will I fly
through
the air
tree
to tree
twittering
my song
hearing
friends songs
or
will they
be
in my head
in
the vat, in the lab
in
the computer
Or
is it real
I
must stop
this
must
sleep
must
sing
tomorrow
stop
the
monkey
mind
and
rest
Why
do I keep slipping
off
this branch, did some
fool
pig-grease it, should
move
to another branch
or
is the grease on my feet
or
in my mind
Will
I slip from that
branch
too
How
can I sleep
How
can I rest
slipping
like this
Why
me – is it because
I’m
mottled – is it
my
brain – is it me --
is
it everyone could it
be
the theory of bird mind
or
just pig-grease inside a
black
dog’s stomach vat
Please!
God
of Birds!
Let
me sleep
Let
me rest
Let
me sing
Second Place in October 2017 IBPC - Judge's Comments:
This is very clever. So many of us are plagued with sleep deprivation, yet who but the author of this piece has (perhaps while suffering his/her own bout of insomnia) bothered to wonder if other creatures lie or sit awake all night, puzzling over their own dilemmas and conundrums, slipping off their perches until dawn. Reading this, I could see the bird tilting his head one way and the other, puzzling over how it is with him. It’s so fully informed with humor that it almost becomes a vaudeville routine, or one of those old Heckle and Jeckyl cartoons about the two interminably squabbling magpies tapping off cigar ash and speaking out of the sides of their beaks. Except now both magpies are inside one bird’s head, making him tilt one way and then another in a dialogue worthy of Sam Beckett. These are matters of considerable personal importance to me, since I suffer from both obstructive sleep apneas and late-onset narcolepsy (surely the most surreal of afflictions), but they are of general importance as well. If songs and dreams emanate from the same place, as well they might, how are we to arrive at the former without access to the latter? This poem deserves to have its own Saturday morning kid's show. --Michael Larrain
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